Gothic Traditions and the Contemporary Genre Writer
Hey, writers! Let’s talk about the Gothic traditions. Big, old houses. Creepy relatives. Family secrets that still affect the present… If the success of shows like The Haunting of Bly House and Midnight Mass show us anything, they show us that these tropes are still with us and aren’t just limited to old-timey stories.
What’s your history with Gothic stories? Are you a fan, or did you come to them by seeing the stories they influenced in novels and on TV?
Marian Allen: A friend introduced me to Gothic romances in college: The kind with a heroine in a long dress or a nightgown running in the light of a full moon from a mansion, looking over her shoulder in apprehension. The cover didn’t always match the book’s contents; they were (the ones my friend passed to me) much more interesting than that. Then there was Jane Eyre, Wuthering Heights, parts of Frankenstein, parts of Vanity Fair, and other classics influenced by the Gothic tradition. Oh –Rebecca!
John L. Taylor: I grew up both reading books like The House of Seven Gables and watching old horror films from Universal and Hammer. These are heavily Gothic in their visuals. Also, German expressionist films like The Cabinet of Dr. Caligari gave me a solid visual influence rooted in Gothic, if distorted imagery.
Cynthia Ward: I enjoy Gothic fiction in its various iterations, and I’ve written a gothic horror story (whether or not it’s supernatural is left to the reader).
Shannon Murphy: I love old Gothic horror stories! The chilling atmosphere, the spooky plot twists.
Ef Deal: I live in a Gothic house. We were haunted for a few years, and we have had a few things visit us. I grew up with ghosts in my bedroom. Naturally, I gravitated toward Gothic stories.
Sean Taylor: My first exposure in novels was Dickensian rather than pure Gothic, but from Charles’ dusty old mansions it was an easy leap to the worlds of dark romances like Wuthering Heights and The House of the Seven Gables and creepy settings of early horror like Dracula and Frankenstein. My movie and TV habits at the time only reinforced the visuals of a Gothic style and the storytelling motifs of family secrets and isolation from the surrounding villages and towns, thanks to Dark Shadows, Hammer’s horror movies, and, of course, Elvira introducing me to lots of Gothic revival B-movies I had been too young to see when they originally hit theaters.
Read more:
https://seanhtaylor.blogspot.com/2021/10/gothic-traditions-and-contemporary.html
